Selasa, 27 Agustus 2013

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Smith of Wootton Major, by J. R. R. Tolkien

A charming new pocket edition of one of Tolkien’s major pieces of short fiction, and his only finished work dating from after publication of The Lord of the Rings.

What began as a preface to The Golden Key by George MacDonald eventually grew into this charming short story, so named by Tolkien to suggest an early work by P.G. Wodehouse. Composed almost a decade after The Lord of the Rings, and when his lifelong occupation with the ‘Silmarillion’ was winding down, Smith of Wootton Major was the product of ripened experience and reflection. It was published in 1967 as a small hardback, complete with charming black and white illustrations by Pauline Baynes, and would be the last work of fiction to be published in Tolkien’s own lifetime.

Now, almost 50 years on, this enchanting tale of a wanderer who finds his way into the perilous realm of Faery is being published once again as a pocket hardback. Contained here are many intriguing links to the world of Middle-earth, as well as to Tolkien’s other tales, and this new edition is enhanced with a facsimile of the illustrated first edition, a manuscript of Tolkien’s early draft of the story, notes and an alternate ending, and a lengthy essay on the nature of Faery.

  • Sales Rank: #697375 in eBooks
  • Published on: 2015-02-26
  • Released on: 2015-02-26
  • Format: Kindle eBook

Review
"The book has a haunting quality, characteristic of the best of the 'deeper' folktales. It is a beautiful, memorable story." Times Educational Supplement "It may be compared to the most delicate miniature but it is one of a rare kind: the more closely it is examined the more it reveals the grandeur of its conception. Whoever reads it at eight will still be going back to it at eighty." New Statesman "A tremendously valuable volume with important new insights into Tolkien's way of working. It's also a beautiful hardcover edition of the story." Mythprint

About the Author
J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 50 languages and have sold many millions of copies worldwide.

Most helpful customer reviews

29 of 29 people found the following review helpful.
All the way from Daybreak to Evening
By E. A Solinas
While most of his genius went into the world of Middle-Earth and its fantastical history, JRR Tolkien produced a number of smaller stories during his life.

And though he disliked allegory, the enchanting "Smith of Wootton Major" is a bit of an oddity among his writings -- a beautifully fantastical little fable that drips over with Tolkien's love of real, deep fairy tales. And unlike many a story of elves or faeries since, Tolkien keeps that sense of mystery and magic in the world of the supernatural.

It takes place in a little town "not very long ago for those with long memories, not very far away fro those with long legs." The Master Cook of that village takes a vacation, and returns with an apprentice in tow. But something odd happens at the Feast of the Cake -- the cook stirs in a "fay-star" with little trinkets in the cake, and it's accidentally swallowed by a boy there.

The boy (later called Smith) is changed by the fay-star, which sparkles on his forehead. When he grows up, Smith ventures into Faery itself, and even meets the Faery Queen herself. The message she gives him is for her mysterious, missing husband, the King -- who turns out to be the last person anybody in Wootton Major would have expected.

"Smith" is a fairy tale in the best sense. Don't expect cackling witches or convenient loopholes in spells here; Tolkien was too skilled for that. Instead we have majestic fey and sparkling magic, woven with a tidy medieval town (consider the custom of naming people after their jobs -- Smith, a smith, capisce?). Never once does it become precious or cutesy, only more enchanted as it goes along.

It's also among Tolkien's simpler writings, especially since it is effectively a short story. In fact, it's so simple that it barely has a plot -- the vanishing King is the closest it has to conflict or a complete plot.

But Tolkien's writing sparkles with little details of the fey, with only a minimum of description. His glimpses of Faerieland are too brief, but written with the exquisite, haunting quality of his better-known works ("Once in these wanderings he was overtaken by a grey mist and strayed long at a loss, until the mist rolled away and he found that he was in a wide plain"). And he gives the impression of a world of magic far greater than any human could grasp ("... bearing the white ships that return from battles on the Dark Marches of which men know nothing").

And Smith is an odd sort of hero, infused with a kind of otherworldly light and grace that shines from him in the form of "Starbrow." Perhaps it was so stand in for the ability to see the magical and fantastical in the mundane world -- and if so, perhaps Tolkien felt that he himself had been given a fay-star that never left him.

Certainly the beauty and sweetness of "Smith of Wootton Major" suggest that he had one always -- an underrated little tale of magic and faerie, which highlights Tolkien's sublime writing.

27 of 28 people found the following review helpful.
Tolkien's portrait of the inexpressible wonder of grace.
By A Customer
Farmer Giles of Hamm is a hilarious tale in the spirit of the lighter passages of The Hobbit. The Little Kingdom of this story has much in common with the Shire where Bilbo Baggins wandered. It should be read for the shear pleasure of the journey.
Smith Of Wooten Major is something else entirely. Though once again we travel to an ancient England that has much in common with Middle Earth, here we find a tale for grown ups. Though most reviewers say that the tale is about what the gift of fantasy adds to the life of those who receive it, I believe that it really speaks of the rewards that come to those who choose to live life on a deeper level. What makes the book difficult to describe is that in story form Tolkien paints a picture or an illustration of the faith and the grace that were such an integral part of who he was as a person. Travelling with him you feel that you have encountered something more deep and wonderful than words can tell. The journey is not for everyone, but for those of you who take it and begin to glimps its meaning, like Smith's magic star, it will become an integral part of who you are.

20 of 21 people found the following review helpful.
A Revelation of Tolkien's Visions of Faery
By Paul E. Thomas
J.R.R. Tolkien's short work, "Smith of Wooten Major," which he wrote late in life, has already appeared in several fine editions, both by itself and in combination with other pieces by Tolkien, and most of us Tolkien enthusiasts already have it on our shelves. So why another one now, and why should we buy it? There are several compelling things about this book that make it highly attractive to those seeking a deeper understanding of Tolkien as a writer and thinker, and I'll only mention four here. First, this extended edition includes an important never-before-published essay by Tolkien on the story and on Tolkien's views of the nature of Faery, of its importance to him, of faery tales, and of the role of allegory in stories of this kind. It is a fascinating piece that provides new insight into Tolkien's thought as an artist trying to capture glimpses of Faery in his writing. The essay is in some ways an echoing companion piece for his famous earlier essay "On Fairy Stories," in which, among other things, Tolkien outlines his theory of sub-creation that he executed so successfully in "The Lord of the Rings." Second, the book contains never-before-published early notes and draft manuscripts for Smith, several pages of which are reproduced in the book itself in their original hand-written form with helpful transcriptions on the opposite page. These papers not only show Tolkien actively creating and revising his story and the history of its characters, but they also show Tolkien's working methods as a writer and so demonstrate, in a microcosm, the methods he used on such a large scale for "The Lord of the Rings." Third, Flieger's editorial contributions are very helpful. She provides an afterword that discusses the critical treatement of Smith, its genesis as a story, and outlines the new material which, as she says, allow the reader to follow "the authorial progression from explanation to inspiration to formulation to painstaking revision." Flieger's notes are also very helpful, for she points us to relevant matters in Tolkien's other works and illuminates puzzling aspects of Smith. And fourth, this is perhaps the first edition of Smith that takes Tolkien's statements that it is not a children's story seriously. He called Smith "an old man's book, already weighted with the presage of bereavement." Previous editions of Smith have ignored this statement and dressed the tale up as a children's book, presumably based on the unquestioned assumption (which Tolkien questioned very sharply in "On Fairy Stories") that because this is a faery tale, and because it is short, it must be for children. This edition honors Tolkien's view not only of Smith but of the importance of Faery and faery stories in general by beautifully reproducing the tale and the lovely Pauline Baynes illustrations, which were made for the first edition, and by setting them within a handsome hardcover text that Tolkien readers will prize very highly. This is a must have.

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Rabu, 21 Agustus 2013

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*Pre-AP is a trademark registered and/or owned by the College Board, which was not involved in the production of and does not endorse this product.

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Senin, 19 Agustus 2013

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The Emperor's Children, by Claire Messud

The Emperor’s Children is a richly drawn, brilliantly observed novel of fate and fortune—about the intersections in the lives of three friends, now on the cusp of their thirties, making their way--and not-- in New York City. In this tour de force, the celebrated author Claire Messud brings to life a city, a generation, and the way we live in this moment.

  • Sales Rank: #91088 in Books
  • Brand: Vintage
  • Published on: 2007-06-26
  • Released on: 2007-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.20" l,
  • Binding: Paperback
  • 478 pages
Features
  • Great product!

From Publishers Weekly
Marina Thwaite, Danielle Minkoff and Julian Clarke were buddies at Brown, certain that they would soon do something important in the world. But as all near 30, Danielle is struggling as a TV documentary maker, and Julius is barely surviving financially as a freelance critic. Marina, the startlingly beautiful daughter of celebrated social activist, journalist and hob-nobber Murray Thwaite, is living with her parents on the Upper West Side, unable to finish her book"titled The Emperor's Children Have No Clothes (on how changing fashions in children's clothes mirror changes in society). Two arrivals upset the group stasis: Ludovic, a fiercely ambitious Aussie who woos Marina to gain entrée into society (meanwhile planning to destroy Murray's reputation), and Murray's nephew, Frederick "Bootie" Tubb, an immature, idealistic college dropout and autodidact who is determined to live the life of a New York intellectual. The group orbits around the post"September 11 city with disconcerting entitlement"and around Murray, who is, in a sense, the emperor. Messud, in her fourth novel, remains wickedly observant of pretensions"intellectual, sexual, class and gender. Her writing is so fluid, and her plot so cleverly constructed, that events seem inevitable, yet the narrative is ultimately surprising and masterful as a contemporary comedy of manners. 100,00 announced first printing; author tour.(Sept. 4)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In this witty examination of New York's chattering classes, which opens in the spring of 2001, the despot of the title is Murray Thwaite, a famous journalist who made his name in the Vietnam era. The next generation, however, is having trouble gaining traction. Murray's daughter, Marina, unable to complete a long-overdue book on the cultural significance of children's clothing, has moved back into her parents' Upper West Side apartment and is doing a lot of yoga. Her two best friends—Danielle, a television producer, and Julius, a gay freelance critic—are similarly ambitious and entitled, without being particularly driven. All three find sex the easiest way to transform themselves. Only Murray's brainy and profoundly disenfranchised nephew from upstate aggressively pursues his belief in the true and the good, but he proves to be a sort of literary terrorist, threatening to blow the family apart. The humorous intimacies of Messud's portraits do not, finally, soften the judgments behind them: If this is what's become of the liberal imagination, is it worth fighting for?
Copyright © 2006 Click here to subscribe to The New Yorker

From Bookmarks Magazine
Claire Messud, the author of PEN/Faulkner Award finalists When the World Was Steady (1995), a novel, and The Hunters (2001), a collection of novellas, delivers a powerful, stylistically complex narrative that explores New York society from the inside out. More than one critic compared Messud's prose to that of Henry James, American modernist and novelist of manners at the turn of the last century. The technique translates well into fiction that uses the last days of relative innocence before 9/11 and the chaotic immediate aftermath as its backdrop. The novel's texture, multiple layers digging deep beneath and exposing society in such captivating detail, comes from Messud's ability to create dramatic tension even while writing pointed social satire.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

127 of 144 people found the following review helpful.
Balancing The Scales
By Ezra Klein
Every so often, I check into the review page for The Emperor's Children, just to see if anything has changed. I remember stopping by the first time, and being shocked by the poor reviews, and assuming it had to be a temporary twist of the numbers, that the universe will certainly right itself soon enough.

Well, it hasn't. I won't argue with anyone's experiences of the book -- that's far beyond what I can offer. I will say that, as a journalist in DC, it's far and away the most accurate examination of the Eastern intellectual class that I've encountered. Messud is a gorgeous writer whose scenes are deeply observed and hauntingly constructed. The world of the book is specific, to be sure, and it's possible, as you see in the reviews, that many won't relate. But if you went to a small liberal arts college; if you're fascinated, or resentful, or appalled, or attracted, by the pretensions of the self-styled intellectual set; if you like sharply written banter; you can hardly do better than this book.

393 of 473 people found the following review helpful.
The Emperor's Children Have No Clothes!
By D. West
Since many reviewers have discussed the story line in detail, I will stick with my overall impressions of what I consider an extremely over hyped disappointing read.

In my opinion, none of the main characters are anywhere near as adorable as the author keeps insisting they are. Their most notable characteristic is a non-stop (and rather interchangeable) flow of campy repartee that might convey intellect, success, pretension, heartbreak, or whatever to someone steeped in their milieu but which kept me at a considerable emotional distance. The doomed idol, Murray Thwaite, in particular is dreadfully flimsy - is this the author's dream of an articulate, handsome, talented, unattainable (for others who wish to be him) Golden Boy. This sort of wish fulfillment at the reader's expense is simply unpalatable to the serious consumer. And, if this was to be a tongue in cheek attempt at humor, it fell far short of the mark.

I agree with other reviewers. It appears the author likes very long sentences; many paragraphs are absolutely incomprehensible. Are we to be impressed with the overuse of commas and dependent clauses so that it often takes two or three readings to render a sentence understandable? If this is the new era of grown-up writing, I'll stick to my mysteries and nonfiction.

But, I kept at it hoping that Messud would indeed pull it off in the end; however, the ending too was quite unsatisfactory. And, the use of the 9/11 tragedy to try to wrap it up is unforgivable. If so many New Yorkers of this age group truly were so wrapped in their own petty self-absorptions during this time period, God save our country. Could any of the characters see outside their own small contrived world? It would appear not. I won't be reading any more of Messud's work.

If you're hoping for a plot, forget it. You can just read a page and sit back and admire Messud's gift for metaphor, prose and description. But plot and character development are as thin as deli cheese and just about as smelly. It's sadly true, but all of these characters stink, for one reason or another.

Do yourself a favor, don't buy the book. If you've read the hype and still think it's worth it, check it out from a library or borrow a copy. In fact, let me know, I'll send you mine. The only thing it's good for is keeping coffee rings off my desk.

101 of 123 people found the following review helpful.
The plot that wouldn't thicken
By G M
You've really got to worry about a novel when a *favourable* reviewer describes the plot's two main set pieces and one of them is when the cat dies. [The Economist, 19 Aug 2006.] Before getting into that, however, try this sample sentence for size:

"He remembered his father's telling him - his father, small as he was himself tall, with sloping shoulders off which Murray feared, as a child, the braces might slip, a bow-tied little man with an almost Hitlerian mustache, softened from menace by its grayness, and by the softness, insidious softness, of his quiet voice, a softness that belied his rigidity and tireless industry, his humorless and ultimately charmless 'goodness' (Why had she married him? She'd been so beautiful, and such fun) - telling him, as he deliberated on his path at Harvard, to choose accounting, or economics, saying, with that dreaded certainty, 'You see, Murray, I know you want to go out and write books or something like that. But only geniuses can be writers, Murray, and frankly son ...'"

[p. 124]

See what I mean about size? Reviewers have already complained about the author's self-interrupting, drunkenly digressive prose style. They are entirely correct to do so. Claire Messud's book is festooned with sentences which are essentially motorway pile-ups of sub-clauses, codicils and parenthetical interpolations. Such a rookie mistake - which makes for hopelessly cumbersome reading - should never have made it past the editor.

The Emperor's Children concerns the lives of Danielle, Marina and Julius, three thirtysomething New York literati and their patriarch, the essayist Murray Thwaite, Marina's father. Onto this scene arrive two more brains: Ludovic Seeley is a viperish and talented journalist from Australia who has come to NY to launch a new magazine; and Bootie Tubb is Thwaite's bookish college-drop-out nephew, who has taken up residence (and employment) at his uncle's home. In summary, all six of Ms. Messud's characters are part of a literary intelligentsia. So she's a writer writing about writers. Which is what bad writers shorn of ideas always do (think Stephen King). With such lack of variety among its dramatis personae, one is left to wonder how the book's jacket can make the breathtaking claim to be about 'the way we live in this moment'. Does Ms. Messud presume that the ruminations of six Manhattanites parked in front of their word processors will have something to say to ambulance drivers? Surfers? Teenagers? I like to write occasionally, and even I quickly grew tired of these navel-gazers. Perhaps the cruel joke Ms. Messud has played on herself is that only self-absorbed people presume that all others are like them, and will therefore relate to self-absorbed characters.

Anyway, the praxis of the book is set in motion by nothing more original than Seeley's aim to expose Thwaite as an intellectual fraud of some sort. Once this rather abstract goal is announced, nothing at all happens. We sit around for several hundred pages awaiting the unmasking. It never happens. (The cat has died some time before, its passing memorialised with an entire chapter.) The life of the mind is an indolent one, and so the time must thus be passed with sex. Danielle has an affair with Seeley; Seeley has an affair with Marina; and - ridiculously - Thwaite has an affair with Danielle. Ms. Messud also finds time to go into the details of Julius's gay love life with tiresomely squeamish prurience - beneath the willfully nonchalant prose one can sense a novelist delighted by her own daring.

There are silly mistakes. Since Bootie quickly becomes disillusioned with his uncle and correspondingly determined to expose him, he essentially clones Seeley's role: the reader is now left wondering why we now have two characters doing the same thing. As for Seeley himself, he inexplicably marries the daughter of the man he wants to destroy - a bit socially awkward, that. If Bootie is so precociously well-read, why does he seem surprised to discover that Ireland is divided? But perhaps his ignorance reflects that of his creator, who incorrectly informs us that Ireland has 'a border in the middle' [p. 186]. (The border is in the north-east corner, partitions off only one-fifth of the island, and never reaches the west coast.) Messud writes that Thwaite 'blew smoke though his nose like a dragon' [p. 305], forgetting that this is now her third time using that expression.

There's intellectual spivvery. So much literary name-dropping goes on, but it all consists of obvious choices. Situations are repeatedly described as 'Beckettian'; Bootie is reading Tolstoy, Melville and Emerson ... but there's nothing in these references to indicate that Messud has done any more that *hear about* these writers. It's all paper-thin. And the ambitious Seeley's inspiration is ... Napoleon.

Suddenly, September 11 irrupts into the plot. Our flawed-but-lovable characters respond in their various ways: Seeley grieves copiously for the new magazine he was about to launch but now never will; Thwaite's wife gets her hair done; Bootie changes his name to an even sillier one and inexplicably disappears (and not before time, some readers might may say). So if this intrusion of a harsh and savage reality has no effect on our characters, why was it mentioned at all? To rob from real life a luridly exciting climax that the author hadn't the talent to create herself?

It's plain from the 'way we live now' claim that the book is trying to boldly capture the Zeitgeist, but the entire plot takes place in the minds of its characters, and the space in which they move is thus correspondingly constricted. The novel feels not so much like it's taking place in an era as in one rather stuffy, overpriced apartment.

I have found that there is a yawning gulf of difference between the public response to this book and the critical one. A while back I listened to two members of the New York literary intelligentsia (Stephen Metcalf, Katie Roiphe) being interviewed about the novel on Slate. Surprise, surprise: they both liked it. Metcalf even did some name-dropping of his own: Edith Wharton, Zadie Smith, David Lodge we all parachuted in. But even the comparisons he meant unkindly were too flattering.

Thus the literati peer deeply into the Emperor's Children's subtext, apparently unable to say the plain truth currently being howled by readers in general (and there for all to see): the book is a poor read and it has little to say.

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[M372.Ebook] Ebook Statistical Tools for Nonlinear Regression: A Practical Guide With S-PLUS and R Examples (Springer Series in Statistics), by Sylvie Huet,

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Statistical Tools for Nonlinear Regression: A Practical Guide With S-PLUS and R Examples (Springer Series in Statistics), by Sylvie Huet,

Statistical Tools for Nonlinear Regression presents methods for analyzing data. It has been expanded to include binomial, multinomial and Poisson non-linear models. The examples are analyzed with the free software nls2 updated to deal with the new models included in the second edition. The nls2 package is implemented in S-PLUS and R. Several additional tools are included in the package for calculating confidence regions for functions of parameters or calibration intervals, using classical methodology or bootstrap.

  • Sales Rank: #8615362 in Books
  • Published on: 2010-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .57" w x 6.00" l, .79 pounds
  • Binding: Paperback
  • 234 pages

Review

From the reviews of the second edition:

"Users of S-PLUS or R who do nonlinear estimation would certainly want a copy of this book. The wealth of applications and code for using the specialized software transcends the limitation of the applications to medicine and biology." Technometrics, May 2004

"In this second edition to the first edition published in 1996, the authors present a comprehensive overview of nonlinear regression methods. With an emphasis on learning the basics of how to perform analyses using S-PLUS or R and understand and present the results, the book provides a valuable resource for those interested in learning this material...The book is easy to read, and the inclusion of S-PLUS output, graphs, and source code makes picking up the book and getting started much easier. For those working with data best modeled by nonlinear relationships, this book will be a valuable addition to your shelf of resources." Journal of the American Statistical Association, September 2004

"As the title suggests, the book deals with non-linear regression analysis … . The real strength of the book lies in a careful and detailed discussion of a number of examples … . Anyone who is interested in actually analysing data using non-linear models will benefit from working through these examples … . the book would make an excellent secondary source for a course in non-linear models. … A number of excellent references are available that provide the necessary theoretical background … ." (Christopher Cox, Statistics in Medicine, Vol. 24 (13), 2005)

"This second edition provides a comprehensive overview of the field of parametric nonlinear regression models in data analysis. The book aims especially at students, as a tutorial book, and at the scientists applying statistical methods in different practical domains. Each chapter begins with a set of different concrete examples, followed by the corresponding statistical issues and solutions. In addition, where necessary, a very simple theoretical background is provided." (Florin Gorunescu, Zentralblatt MATH, Vol. 1041 (16), 2004)

"The first 5 chapters of this book discuss normal distribution models where the mean is described with a nonlinear model. Chapter six discusses a nonlinear model with a binomial distribution, chapter seven uses a Poisson and multinomial distribution. … The large amount of examples … makes this book a valuable contribution to the every day statistical practice." (J. van den Broek, Kwantitatieve Methoden, Issue 72B34, 2004)

"This book describes itself as a ‘cookbook’ for non-linear regression and is supported by the nls2 software … . The chapters are reasonably and logically laid out … . There are 42 references, many of which are to other text-books on modeling … . The back cover suggests that it may be of use to students as a tutorial book. It is certainly a valuable complement to the nls2 software … ." (Paul Hewson, Journal of the Royal Statistical Society, Vol. 198 (1), 2005)

From the Back Cover

Statistical Tools for Nonlinear Regression, (Second Edition), presents methods for analyzing data using parametric nonlinear regression models. The new edition has been expanded to include binomial, multinomial and Poisson non-linear models. Using examples from experiments in agronomy and biochemistry, it shows how to apply these methods. It concentrates on presenting the methods in an intuitive way rather than developing the theoretical backgrounds.

The examples are analyzed with the free software nls2 updated to deal with the new models included in the second edition. The nls2 package is implemented in S-Plus and R. Its main advantages are to make the model building, estimation and validation tasks, easy to do. More precisely,

Complex models can be easily described using a symbolic syntax. The regression function as well as the variance function can be defined explicitly as functions of independent variables and of unknown parameters or they can be defined as the solution to a system of differential equations. Moreover, constraints on the parameters can easily be added to the model. It is thus possible to test nested hypotheses and to compare several data sets.

Several additional tools are included in the package for calculating confidence regions for functions of parameters or calibration intervals, using classical methodology or bootstrap. Some graphical tools are proposed for visualizing the fitted curves, the residuals, the confidence regions, and the numerical estimation procedure.

This book is aimed at scientists who are not familiar with statistical theory, but have a basic knowledge of statistical concepts. It includes methods based on classical nonlinear regression theory and more modern methods, such as bootstrap, which have proved effective in practice. The additional chapters of the second edition assume some practical experience in data analysis using generalized linear models. The book will be of interest both for practitioners as a guide and a reference book, and for students, as a tutorial book.

Sylvie Huet and Emmanuel Jolivet are senior researchers and Annie Bouvier is computing engineer at INRA, National Institute of Agronomical Research, France; Marie-Anne Poursat is associate professor of statistics at the University Paris XI.

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0 of 1 people found the following review helpful.
A great description of the "how",
By zanooda
but the "why" is too specific to the author's domain. Overall, it has been a very good book for me

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Jumat, 16 Agustus 2013

[G869.Ebook] Download Ebook Cytopathology of Soft Tissue and Bone Lesions (Essentials in Cytopathology), by Walid E. Khalbuss, Anil V Parwani

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Cytopathology of Soft Tissue and Bone Lesions (Essentials in Cytopathology), by Walid E. Khalbuss, Anil V Parwani



Cytopathology of Soft Tissue and Bone Lesions (Essentials in Cytopathology), by Walid E. Khalbuss, Anil V Parwani

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Cytopathology of Soft Tissue and Bone Lesions (Essentials in Cytopathology), by Walid E. Khalbuss, Anil V Parwani

Soft Tissue Cytopathology by Anil V. Parwani, MD, PhD and Walid E. Khalbuss, MD, PhD, will fulfill the need for an easy-to-use and authoritative synopsis of soft tissue cytopathology. This volume, part of the Essentials in Cytopathology book series, fits into the lab coat pocket and is ideal for portability and quick reference. Each volume in the series is heavily illustrated with a full color art program, while the text follows a user-friendly outline format. Anil V. Parwani, MD, PhD, is Associate Professor of Pathology at the University of Pittsburgh Medical Center - Shadyside Hospital, Pittsburgh, Pennsylvania. Walid E. Khalbuss, MD, PhD, is Associate Professor of Pathology at the University of Pittsburgh Medical Center - Shadyside Hospital, Pittsburgh, Pennsylvania.

  • Sales Rank: #542124 in Books
  • Published on: 2010-12-23
  • Released on: 2010-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .62" w x 5.00" l, .70 pounds
  • Binding: Paperback
  • 253 pages

From the Back Cover
Cytopathology Soft Tissue and Bone Lesions by Walid E. Khalbuss and Anil V. Parwani will fulfill the need for an easy-to-use and authoritative synopsis of soft tissue and bone cytopathology. This volume, part of the Essentials in Cytopathology book series, fits into the lab coat pocket and is ideal for portability and quick reference. Each volume in the series is heavily illustrated with a full color art program, while the text follows a user-friendly outline format. Walid E. Khalbuss, MD, PhD, FIAC is Associate Professor of Pathology at the University of Pittsburgh Medical Center - Shadyside Hospital, Pittsburgh, Pennsylvania. Anil V. Parwani, MD, PhD, is Associate Professor of Pathology at the University of Pittsburgh Medical Center - Shadyside Hospital, Pittsburgh, Pennsylvania.

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0 of 0 people found the following review helpful.
Good book! Lots of helpful pictures
By Jean Descemet
Good book! Lots of helpful pictures, some good criteria, especially when looking at such a small representative sample of mass.

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